Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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John Constable
Branch Hill Pond,Hampstead Heath,with a boy sitting on a bank

ID: 33168

John Constable Branch Hill Pond,Hampstead Heath,with a boy sitting on a bank
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John Constable Branch Hill Pond,Hampstead Heath,with a boy sitting on a bank


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John Constable

1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy  Related Paintings of John Constable :. | Weymouth Bay | Weymouth Bay, with Jordan Hill | The Flower Garden at East Bergholt House,Essex | Stour Valley and the church of Dedham | Unknown work |
Related Artists:
Gustaf Fjaestad
Swedish 1868-1948 Swedish painter, printmaker and designer. He trained at the Royal Academy of Arts in Stockholm in 1891-2. Subsequently he studied with Bruno Liljefors and Carl Larsson, assisting them with such decorative schemes as Larsson's fresco at the Nationalmuseum, Stockholm (1896). In 1897 he moved to the Arvika district of V?rmland, where he worked together with his wife, Maja (1873-1961), as painter, craftsman and cabinetmaker, and gathered around him a circle of artists who became known as the Racken group. He first achieved public recognition at the Stockholm Artists Union exhibition in 1898 with some of his snow landscapes, which were an immediate popular success and were often reproduced. He had his first one-man exhibition in Stockholm in 1908,
Jules-Adolphe Goupil
1839-1883 French Jules-Adolphe Goupil Gallery
BIGARNY, Felipe
Spanish Sculptor, ca.1480-1542






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